Orthros
The Polyeleos
Polyeleos, Psalm 134 – 1st Mode, Brief Setting, by Gabriel Cremeens
Polyeleos, Psalm 134 – 4th Mode “Agia,” Long Setting, by Samuel Herron
Evlogetaria
Evlogetaria of the Resurrection, by Phillip Phares
Hymns at the Gospel Reading
Festal Songs of Ascent – Greek and English (Nicholas Roumas and Gabriel Cremeens)
“Let Every Breath” (Psalm 150:6) before the Orthros Gospel, by Nicholas Roumas
Psalm 50, in 2nd Mode, by Nicholas Roumas
Troparia after Psalm 50, by Nicholas Roumas
12-Fold “Lord, have mercy,” by Nicholas Roumas
Katavasies
Katavasies of the Theotokos – Brief Melodies
Katavasies of the Theotokos – Slow Melodies
Brief Katavasies of the Entry of the Theotokos
Slow Katavasies of the Entry of the Theotokos
More Honorable than the Cherubim, in all modes – Nicholas Roumas
Slow Doxologies
Slow Doxology – 2nd Mode (Gabriel Cremeens)
Slow Doxology, 3rd Mode (Nicholas Roumas)
Slow Doxology, 4th Mode “Agia” (Gabriel Cremeens)
Slow Doxology, 4th Mode “Agia” (Adapted from Petros the Peloponnesian)
Asmatikon of the Cross – 4th Mode “Agia,” Various Adaptations, by Phillip Phares
Slow Doxology – Plagal 1st Pentaphone (Gabriel Cremeens)
Slow Doxology – Plagal 2nd Mode (Gabriel Cremeens)
Slow Doxology, Grave Mode Enharmonic – Adapted from Chourmouzios the Archivist (HTM Translation)
Slow Doxology, Grave Mode Enharmonic – Adapted from Chourmouzios the Archivist